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15. The Girl on the Train

Rating:  ☆☆☆☆

Recommended by:  Heather Bohart

Author:  Paula Hawkins

Genre:  Fiction, Mystery, Suspense

Info:  395 pages, published January 13, 2015

Format:  Audio Book


Summary 

The Girl on the Train is psychological thriller told from the point of view of three women: Rachel, Anna, and Megan.  Rachel Watson is a 32-year-old alcoholic who frequently binges and has blackouts.  Rachel’s life has been in a downward tailspin since her divorce from Tom, who left her for another woman, Anna Watson. Tom and Anna are now married and have a baby daughter which exacerbates Rachel’s self-destructive tendencies, as it was her inability to conceive a child that began her spiral into alcoholism.  

Rachel’s drinking has caused her to lose her job, a fact which she hides from her roommate by taking the train into the city every day.  While the train slowly passes her old house, which is now occupied by Tom, Anna, and their daughter, Rachel begins watching an unknown, attractive couple who live a few houses away from Tom, and fantasizes about the couple’s perfect life together until Rachel sees the wife kissing another man.  

When the wife goes missing after Rachel experiences a drunken blackout, Rachel begins to question whether she bears any responsibility.  As Rachel inserts herself into Scott Hipwell’s life and the investigation into Megan’s disappearance, the story unfolds in unpredictable ways.

 

Quotes

“But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them.”

“I’d never realized, not until the last year or two of my life, how shaming it is to be pitied.”

”let’s be honest: women are still only really valued for two things—their looks and their role as mothers.”

“She must be very secure in herself, I suppose, in them, for it not to bother her, to walk where another woman has walked before.  She obviously doesn’t think of me as a threat. I think about Ted Hughes, moving Assia Wevill into the home he’d shared with Plath, of her wearing Sylvia’s clothes, brushing her hair with the same brush. I want to ring Anna up and remind her that Assia ended up with her head in the oven, just like Sylvia did.”

“I have never understood how people can blithely disregard the damage they do by following their hearts.  Who was it said that following your heart is a good thing? It is pure egotism, a selfishness to conquer all.”

“How much better life must have been for jealous drunks before emails and texts and mobile phones, before all this electronica and the traces it leaves.”

“it’s possible to miss what you’ve never had, to mourn for it.”

“Hollowness:  that I understand. I’m starting to believe that there isn’t anything you can do to fix it. That’s what I’ve taken from the therapy sessions: the holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mold yourself through the gaps.”

“The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope.”

My Take

After really enjoying Gone Girl, I had high hopes for The Girl on the Train after hearing mostly positive comparisons between the two suspense thrillers.  While I preferred Gone Girl, I also really liked The Girl on the Train and quickly breezed through the audiobook (which was very well done) and its unexpected twists and turns.  Hawkins does a convincing job of making you understand the anguish of Rachel and how a prolonged bout of infertility ruined her marriage and dragged her down into a pit of despair.  Hawkins’ approach of switching narrators between Rachel, Anna and Megan, also brings their stories to life and gives you a different, interesting perspective on the same situation.  

On a side note, Emily Blunt does a terrific job as the alcoholic, despairing and confused Rachel in the film version which I also recommend.