292. The Door
Rating: ☆☆☆1/2
Recommended by: Meris Delli-Bovi
Author: Magda Szabó
Genre: Fiction
272 pages, published 1987
Reading Format: Book
Summary
The Door is a semi-autographical novel by Hungarian writer Magda Szabó who won many national literary awards but was also labeled an “enemy of the people” by the Communist government, was fired from the Ministry of Education, and had her books banned from publication from 1949 to 1956. The book, which is set in Hungary, focuses on a 20 year relationship between a writer named Magda who hires an housekeeper named Emerence. Emerence is a singular person, relentlessly efficient, incredibly headstrong and obstinate, extremely private and tied to the old ways. And yet Emerence is respected by the neighborhood as much as she is feared. Magda and Emerence develop a deep and connected relationship which is ultimately threatened by Magda’s attempt at kindness which Emerence views as a betrayal.
Quotes
“Creativity requires a state of grace. So many things are required for it to succeed—stimulus and composure, inner peace and a kind of bitter-sweet excitement.”
“God usually ignored us when asked for something, but he invariably granted what we feared.”
“I know now, what I didn’t then, that affection can’t always be expressed in calm, orderly, articulate ways; and that one cannot prescribe the form it should take for anyone else.”
“She was lonely. Who isn’t lonely, I’d like to know? And that includes people who do have someone but just haven’t noticed.”
“If there’s no-one to show pleasure when you come home, then it’s better not to live.”
“In my student days, I detested Schopenhauer. Only later did I come to acknowledge the force of his idea that every relationship involving personal feeling laid one open to attack, and the more people I allowed to become close to me, the greater the number of ways in which I was vulnerable.”
“Everything has to be done properly, even death.”
My Take
The Door is a unique book that I enjoyed for the most part. Set on a single street in mid 20th Century Budapest, the relationship between the two main characters is symbolic of humanity’s struggle to love fully and unconditionally. Magda and Emerence don’t quite achieve this lofty goal, but the glimpses of its possibility make the struggle worthwhile.