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474. The Yellow House

Rating:  ☆☆☆

Recommended by:   Julie Horowitz

Author:   Sarah M. Broom

Genre:   Nonfiction, Memoir, Biography, Cultural

376 pages, published August 13, 2019

Reading Format:  Book

Summary

In The Yellow House, writer Sarah M. Broom tells the stories of her large family of twelve children that lived in and out of mother Ivory Mae’s shotgun house in New Orleans East.  Broom starts in the late 1800’s and concludes with life in post-Katrina New Orleans.

Quotes 

“Distance lends perspective, but it can also shade, misinterpret.”

 

“The mythology of New Orleans—that it is always the place for a good time; that its citizens are the happiest people alive, willing to smile, dance, cook, and entertain for you; that it is a progressive city open to whimsy and change—can sometimes suffocate the people who live and suffer under the place’s burden, burying them within layers and layers of signifiers, making it impossible to truly get at what is dysfunctional about the city.”

 

“Dresses you might wear for special occasions she wore every day. In this way she and Joseph were alike. They dressed to be seen, which is how it came to be that they built up a reputation for floor showing, as Uncle Joe calls it. “Yeah, we knew we looked good.” They danced wherever there was a floor—a bar or a ball. The sidewalk, sometimes. “We used to go in clubs and start dancing from the door. For a poor man I used to dress my can off,” he says. “That’s what used to get me in so much trouble and thing with the ladies.” He and his baby sister, Ivory, would swing it out, jitterbugging and carrying on. Ivory was always fun and always light on her feet. She was especially gifted at being led and men generally loved this quality in her.”

 

“Zora Neale Hurston said, “There are years that ask questions and years that answer.”

 

“The house’s disappearance from the landscape was not different from my father’s absence. His was a sudden erasure for my mother and siblings, a prolonged and present absence for me, an intriguing story with an ever-expanding middle that never drew to a close. The house held my father inside of it, preserved; it bore his traces. As long as the house stood, containing these remnants, my father was not yet gone. And then suddenly, he was.”

 

“When the house fell down, it can be said, something in me opened up. Cracks help a house resolve internally its pressures and stresses, my engineer friend had said. Houses provide a frame that bears us up. Without that physical structure, we are the house that bears itself up. I was now the house.”

 

“For the longest time, I couldn’t bear to hear his voice. This is such a difficult thing to write, to be that close to someone who you cannot bear to look at, who you are afraid of, who you are worried will hurt you, even inadvertently, especially because you are his family and you will allow him to get away with it.”

 

“That was the story coming out of city hall, the small-print narrative on the full-page advertisements that appeared in glossy local magazines. Except none of these projections would ever come true. New Orleans would not hold steady, not in the least. The city’s population reached its apex in 1960. But no one knew that then.”

 

My Take

Winner of the 2019 National Book Award for non fiction, The Yellow House provides the reader with a unique point of view on New Orleans during the past 40 years and the lives of a large African American family that lived just outside the city in New Orleans East.  While I enjoyed the book, it was a bit meandering and verbose at times.

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216. State of Wonder

Rating:  ☆☆☆☆

Recommended by:  Julie Horowitz

Author:  Ann Patchett

Genre:  Fiction, Foreign

353 pages, published June 7, 2011

Reading Format:  Audio Book on Hoopla

 

Summary

State of Wonder chronicles the journey of Dr. Marina Singh into the insect-infested Amazon jungle in attempt to find out what happened to her longtime professional colleague Anders Eckman.  Anders, who was sent to Brazil by his pharmaceutical company employer to track down Dr. Annick Swenson, is presumed dead after contracting a mysterious illness.  Marina must find Dr. Swenson, who was her professor in medical school, and report on the status Dr. Swenson’s research on a drug that will allow women to maintain lifelong fertility.  Along the way, Marina will have to confront her own memories of tragedy and sacrifice.

 

Quotes 

“Never be so focused on what you’re looking for that you overlook the thing you actually find.”

 

“Hope is a horrible thing, you know. I don’t know who decided to package hope as a virtue because it’s not. It’s a plague. Hope is like walking around with a fishhook in your mouth and somebody just keeps pulling it and pulling it.”

 

“Everyone knows everything eventually.”

 

“No one tells the truth to people they don’t actually know, and if they do it is a horrible trait. Everyone wants something smaller, something neater than the truth.”

 

“In this life we love who we love. There were some stories in which facts were very nearly irrelevant.”

 

“There was no one clear point of loss. It happened over and over again in a thousand small ways and the only truth there was to learn was that there was no getting used to it.”

 

“It is said the siesta is one of the only gifts the Europeans brought to South America, but I imagine the Brazilians could have figured out how to sleep in the afternoon without having to endure centuries of murder and enslavement.”

 

“The question is whether or not you choose to disturb the world around you, or if you choose to let it go on as if you had never arrived. That is how one respects indigenous people. If you pay any attention at all you’ll realize that you could never convert them to your way of life anyway. They are an intractable race. Any progress you advance to them will be undone before your back is turned. You might as well come down here to unbend the river. The point, then, is to observe the life they themselves have put in place and learn from it.”

 

“Society was nothing but a long, dull dinner party conversation in which one was forced to speak to one’s partner on both the left and the right.”

“Questions are for the benefit of every student, not just the one raising his hand. If you don’t have the starch to stand up in class and admit what you don’t understand, then I don’t have the time to explain it to you. If you don’t have a policy against nonsense you can wind up with a dozen timid little rabbits lined up in the hall outside your office, all waiting to whisper the same imbecilic question in your ear.”

 

My Take

This was my second time reading State of Wonder (by the wonderful novelist Ann Patchett), although this time I listened to the audio version.  With respect to this book, I must say that Gretchen Rubin’s axiom “the best reading is re-reading,” certainly is true.  The voice work by Hope Davis (an actress that I have always liked) brings State of Wonder to life in a way that I didn’t get with the book.  This time around, I particularly enjoyed the character of Dr. Annick Swenson, an extremely self-confident, domineering woman who charts her own path with little regard to the impact on others. She has most of the best lines of the book and it was a treat to once again visit the Amazon jungle in my second reading of State of Wonder.

 

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111. Beautiful Ruins

Rating:  ☆☆☆☆1/2

Recommended by:  Julie Horowitz

Author:   Jess Walter

Genre:  Historical Fiction, Foreign

337 pages, published June 12, 2012

Reading Format:  Audio Book

 

Summary

The story begins in 1962 when Pasquale, an Italian man in his early twenties who runs his family’s Inn with an Adequate View in Vergogna, meets Dee Moray on a rocky patch overlooking the Italian coastline.   Pasquale becomes enchanted with Moray, an American starlet, who has abandoned her small part in Cleopatra which is shooting in Italy, because she believes that she is dying.  The story, which goes back and forth in time, then weaves in many other interesting characters.  Michael Deane, an old time, has-been Hollywood Producer, described as a lacquered elf as the result of too much plastic surgery, who is connected to Moray and Pasquale and is desperate for a comeback hit.  Claire, Deane’s earnest assistant, who strives to make art and is consistently disillusioned with the drek that Hollywood pumps out.  Shane, who pitches and ill-fated movie idea based on the Donner party to Claire and Deane.  Pat, Moray’s illegitimate son who chases the dream of music stardom down a rabbit hole of self-loathing.  Alvis, an American veteran of World War II, whose time in Italy as a soldier fundamentally changed him and who cannot get past his writer’s block when he tries to convey what happened.  Even Richard Burton, who is in Italy to play Marc Antony, has a significant role.  All of these characters and more interact over fifty years to create a compelling, heartfelt, moving and often hilarious story about human longings and our connections to each other.

 

Quotes

“Sometimes what we want to do and what we must do are not the same. Pasquo, the smaller the space between your desire and what is right, the happier you will be.”

 

“Then she smiled, and in that instant, if such a thing were possible, Pasquale fell in love, and he would remain in love for the rest of his life–not so much with the woman, whom he didn’t even know, but with the moment.”

 

“His life was two lives now: the life he would have and the life he would forever wonder about.”

 

“All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character-what we believe-none of it is real; it’s all part of the story we tell. But here’s the thing: it’s our goddamned story!”

 

“He thought it might be the most intimate thing possible, to fall asleep next to someone in the afternoon.”

 

“A writer needs four things to achieve greatness, Pasquale: desire, disappointment, and the sea.” “That’s only three.”  Alvis finished his wine. “You have to do disappointment twice.”

 

“Stories are bulls. Writers come of age full of vigor, and they feel the need to drive the old stories from the herd. One bull rules the herd awhile but then he loses his vigor and the young bulls take over.  Stories are nations, empires. They can last as long as ancient Rome or as short as the Third Reich. Story-nations rise and decline. Governments change, trends rise, and they go on conquering their neighbors.  Stories are people. I’m a story, you’re a story . . . your father is a story. Our stories go in every direction, but sometimes, if we’re lucky, our stories join into one, and for a while, we’re less alone.”

 

“This reminded him of Alvis Bender’s contention that stories were like nations – Italy, a great epic poem, Britain, a thick novel, America, a brash motion picture in technicolor…”

 

“Words and emotions are simple currencies. If we inflate them, they lose their value, just like money. They begin to mean nothing. Use ‘beautiful’ to describe a sandwich and the word means nothing. Since the war, there is no more room for inflated language. Words and feelings are small now – clear and precise. Humble like dreams.”

 

“Weren’t movies his generation’s faith anyway- its true religion? Wasn’t the theatre our temple, the one place we enter separately but emerge from two hours later together, with the same experience, same guided emotions, same moral? A million schools taught ten million curricula, a million churches featured ten thousand sects with a billion sermons- but the same movie showed in every mall in the country. And we all saw it. That summer, the one you’ll never forget, every movie house beamed the same set of thematic and narrative images…flickering pictures stitched in our minds that replaced our own memories, archetypal stories that become our shared history, that taught us what to expect from life, that defined our values. What was that but a religion?”

 

“To pitch here is to live. People pitch their kids into good schools, pitch offers on houses they can’t afford, and when they’re caught in the arms of the wrong person, pitch unlikely explanations. Hospitals pitch birthing centers, daycares pitch love, high schools pitch success . . . car dealerships pitch luxury, counselors self-esteem, masseuses happy endings, cemeteries eternal rest . . . It’s endless, the pitching—endless, exhilarating, soul-sucking, and as unrelenting as death. As ordinary as morning sprinklers.”

 

“This is what happens when you live in dreams, he thought: you dream this and you dream that and you sleep right through your life.”

 

“He was part of a ruined generation of young men coddled by their parents -by their mothers especially- raised on unearned self-esteem, in a bubble of overaffection, in a sad incubator of phony achievement.”

 

“He wished he could reassure his mother: a man wants many things in life, but when one of them is also the right thing, he would be a fool not to choose it.”

 

“At peace? Who but the insane would ever be at peace? What person who has enjoyed life could possibly think one is enough? Who could live even a day and not feel the sweet ache of regret?”

 

“He found himself inhabiting the vast, empty plateau where most people live, between boredom and contentment.”

 

“And because he felt like he might burst open and because he lacked the dexterity in English to say all that he was thinking–how in his estimation, the more you lived the more regret and longing you suffered, that life was a glorious catastrophe–Pasquale Tursi said, only, “Yes.”

 

“But I think some people wait forever, and only at the end of their lives do they realize that their life has happened while they were waiting for it to start.”

 

“But aren’t all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos– we know what’s out there. It’s what isn’t that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet lags– four states and twelve hundred miles traversed in an afternoon– but true quests aren’t measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant– sail for Asia and stumble on America– and the hope of scarecrows and tin men: that you find out you had the thing you sought all along.”

 

“Be confident and the world responds to your confidence, rewards your faith.”

 

“What person who has enjoyed life could possibly think one is enough?”

 

“This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.” And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.”

“And even if they don’t find what they’re looking for, isn’t it enough to be out walking together in the sunlight?”

My Take

I had not heard much about Beautiful Ruins or author Jess Walter prior to reading this book.  However, after seeing it on several recommended books lists, I decided to give it a try.  I’m glad I did.  Walter creates a fascinating world that oscillates between a small coastal town in Italy during the early 1960’s and modern day Hollywood.  His characters are well articulated and keep inviting you to go deeper with them as they struggle with their dreams, realities, ambitions, disappointments, and longings.  While there is meaning here, there is also great humor, especially when Walter skewers Hollywood, both modern day and yesteryear.  I was sad to finish this book, but happy that I got to spend some time in the world of Beautiful Ruins.

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91. Euphoria

Rating:  ☆☆1/2

Recommended by:  Julie Horowitz

Author:   Lily King

Genre:  Historical Fiction, Anthropology

256 pages, published June 3, 2015

Reading Format:  Book

 

Summary

Euphoria is the story of three anthropologists in 1933 New Guinea who find themselves caught in a passionate love triangle.  English Anthropologist Andrew Bankson has been alone in the field for several years, studying a tribe on the Sepik River in the Territory of New Guinea with little success. Increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when he encounters the famous and controversial Nell Stone and her mercurial husband Fen. Bankson is enthralled by the magnetic couple whose eager attentions pull him back from the brink of despair.  Inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is a story of passion, possession, exploration and sacrifice.

 

Quotes

“It’s that moment about two months in, when you think you’ve finally got a handle on the place. Suddenly it feels within your grasp. It’s a delusion – you’ve only been there eight weeks – and it’s followed by the complete despair of ever understanding anything. But at the moment the place feels entirely yours. It’s the briefest, purest euphoria.”

 

“You don’t realize how language actually interferes with communication until you don’t have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can’t understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren’t always the most reliable thing.”

 

“I’ve always been able to see the savageness beneath the veneer of society. It’s not so very far beneath the surface, no matter where you go.”

 

“I asked her if she believed you could ever truly understand another culture. I told her the longer I stayed, the more asinine the attempt seemed, and that what I’d become more interested in is how we believed we could be objective in any way at all, we who each came in with our own personal definitions of kindness, strength, masculinity, femininity, God, civilisation, right and wrong.”

 

“Why are we, with all our “progress,” so limited in understanding & sympathy & the ability to give each other real freedom? Why with our emphasis on the individual are we still so blinded by the urge to conform? … I think above all else it is freedom I search for in my work, in these far-flung places, to find a group of people who give each other the room to be in whatever way they need to be. And maybe I will never find it all in one culture but maybe I find parts of it in several cultures, maybe I can piece it together like a mosaic and unveil it to the world.”

 

“I try not to return to these moments very often, for I end up lacerating my young self for not simply kissing the girl. I thought we had time. Despite everything, I believed somehow there was time. Love’s first mistake. Perhaps love’s only mistake.”

 

“It came to him that he didn’t like holidays. . . . They bore down on you. Each one always ended up feeling like an exam . . .”

 

My Take

While Euphoria has won a whole swath of awards (WINNER, KIRKUS PRIZE FOR FICTION 2014, WINNER, NEW ENGLAND BOOK AWARD FOR FICTION 2014, FINALIST, NATIONAL BOOK CRITICS CIRCLE AWARDS 2014, NEW YORK TIMES BOOK REVIEW, 10 BEST BOOKS OF 2014, TIME, TOP 10 FICTION BOOKS OF 2014, NPR, BEST BOOKS OF 2014, WASHINGTON POST, TOP 50 FICTION BOOKS OF 2014, AMAZON, 100 BEST BOOKS OF 2014, #16, PUBLISHERS WEEKLY, BEST FICTION BOOKS OF 2014, OPRAH.COM, 15 MUST-READS OF 2014), it was not my cup of tea.  Sometimes, I find there is an inverse correlation between awards received and enjoyment of reading.  That was the case with me and Euphoria.  I could not get into either the characters or the story and had to plod through it to finish.  Obviously, many critics disagree, but that’s my two cents.