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557. One Good Turn

Rating:  ☆☆1/2

Recommended by:

Author:   Kate Atkinson

Genre:   Fiction, Mystery, Thriller, Foreign, Crime

418 pages, published September 10, 2007

Reading Format:   Audiobook on Overdrive

Summary

One Good Turn takes place during the Edinburgh Fringe Festival in Scotland when a near-homicidal attack occurs which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander – until he becomes a murder suspect.

Quotes 

“They said love made you strong, but in Louise’s opinion it made you weak. It corkscrewed into your heart and you couldn’t get it out again, not without ripping your heart to pieces.”

 

“Love was the hardest thing. Don’t let anyone ever tell you different.”

 

“Julia’s vocabulary was “chock-full” of strangely archaic words – “spiffing,” “crumbs,” “jeepers” – that seemed to have originated in some prewar girls’ annual rather than in Julia’s own life. For Jackson, words were functional, they helped you get to places and explain things. For Julia, they were freighted with inexplicable emotion.”

 

“You said five little words to someone–How can I help you?–and it was as if you’d mortgaged your soul out to them.”

 

“The Grim Reaper, Gloria corrected herself – if anyone deserved capital letters it was surely Death. Gloria would rather like to be the Grim Reaper. She wouldn’t necessarily be grim, she suspected she would be quite cheerful (Come along now, don’t make such a fuss).”

 

 

“Gloria regretted that she wasn’t a knitter, she could be producing a useful garment while waiting for Graham to die.”

 

“Boxes within boxes, dolls within dolls, worlds within worlds. Everything was connected. Everything in the whole world.”

 

“One of the things Jackson liked about Julia was her independence, one of the things he didn’t like about Julia was her independence.”

 

“Sometimes you wondered why anyone bothered crawling out of the cradle when what lay ahead was so darn difficult.”

 

 “No one ever warned you about how ferocious mother love could be, let’s face it, no one warned you about anything.”

 

My Take

While I’m a fan of some of Kate Atkinson’s books (Life After Life and A God in Ruins), other ones that I have read (Transcription and Behind the Scenes at the Museum) are a bit clunky.  You can put One Good Turn in the clunky category.  Actually, it is the most clunky Atkinson.  In this case, One Good Turn does not deserve another.  Skip.

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315. Behind the Scenes at the Museum

Rating:  ☆☆☆

Recommended by:  Clare Telleen

Author:   Kate Atkinson

Genre:  Fiction, Historical Fiction, Foreign

332 pages, published November 1, 1999

Reading Format:  Book

Summary

Behind the Scenes at the Museum is Kate Atkinson’s debut novel, a story of family heartbreak and happiness. Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets.

Quotes 

“In the end, it is my belief, words are the only things that can construct a world that makes sense.”

 

“Patricia embraces me on the station platform. ‘The past is what you leave behind in life, Ruby,’ she says with the smile of a reincarnated lama. ‘Nonsense, Patricia,’ I tell her as I climb on board my train. ‘The past’s what you take with you.”

 

“Sometimes I would like to cry. I close my eyes. Why weren’t we designed so that we can close our ears as well? (Perhaps because we would never open them.) Is there some way that I could accelerate my evolution and develop earlids?”

 

“But I know nothing; my future is a wide-open vista, leading to an unknown country – The Rest Of My Life.”

 

 

 

“Slattern! What a wonderful new word. ‘Slattern,’ I murmur appreciatively to Patricia.

‘Yes, slattern,’ Bunty says firmly. ‘That’s what she is.’  ‘Not a slut like you then?’ Patricia says very quietly. Loud enough to be heard, but too quiet to be believed.”

 

 “shop-bought cakes are a sign of sluttish housewifery.” 

My Take

I picked up Behind the Scenes at the Museum after enjoying Kate Atkinson’s Life After Life and A God in Ruins.  It wasn’t as good as those efforts, but still offered interesting insights into the human condition.

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291. Transcription

Rating:  ☆☆☆

Recommended by:  Clare Telleen

Author:   Kate Atkinson

Genre:  Fiction, Historical Fiction, World War II

352 pages, published September 25, 2018

Reading Format:  Book

Summary

At the beginning of World War II, 18 year old Juliet Armstrong obtains employment with an obscure department of MI5.  Her job is to transcribe the conversations between an undercover MI5 agent and British Fascist sympathizers that he has recruited.  The work is both tedious and terrifying.  After the war has ended, she assumes the events of those years are done and buried.  However, ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. Juliet finds herself thrust into the Cold War and begins to understand that her previous actions have consequences.

Quotes 

“Do not equate nationalism with patriotism… Nationalism is the first step on the road to Fascism.”

 

“The world is a comedy to those that think; a tragedy to those that feel,”

 

“[…] but her mother’s death had revealed that there was no metaphor too ostentatious for grief. It was a terrible thing and demanded embellishment.”

 

“The blame generally has to fall somewhere, Miss Armstrong. Women and the Jews tend to be first in line, unfortunately.”

 

“Human nature favors the tribal. Tribalism engenders violence. It was ever thus and so it will ever be.”

 

“Being flippant was harder work than being earnest”

 

“…it had probably been a long enough life. Yet suddenly it all seemed like an illusion, a dream that had happened to someone else. What an odd thing existence was.”

 

“People always said they wanted the truth, but really they were perfectly content with a facsimile.”

 

“But wasn’t artistic endeavor the final refuge of the uncommitted?”

 

“Juliet could still remember when Hitler had seemed like a harmless clown. No one was amused now. (“The clowns are the dangerous ones,” Perry said.)”

 

“She didn’t feel she had the fortitude for all those Tudors, they were so relentlessly busy – all that bedding and beheading.” 

My Take

Transcription is the third book by Kate Atkinson that I have read.  The first two, Life After Life and A God in Ruins, were loosely linked by several shared characters and were engaging reads with compelling characters.  While I enjoyed Transcription, it does not live up to those other books.  There were several times when I was a little bored reading this book and asked myself, “where is this going?”   The failure of the book to provide an interesting answer to that question is the reason I didn’t rate it higher.

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48. A God in Ruins

Rating:  ☆☆☆☆

Recommended by:

Author:   Kate Atkinson

Genre:  Fiction, Historical Fiction

468 pages, published May 1, 2015

Reading Format:  Audio Book

Summary 

A God in Ruins is a companion book to Life After Life, Kate Atkinson’s absorbing family drama which used the artifice of creating multiple lives for protagonist Ursula Todd set against the back drop of England during the first and second World Wars.  A God in Ruins dispenses with the multiple lives convention and shifts the focus to Teddy Todd, Ursula’s beloved younger brother.  At a very young age, Teddy becomes an RAF bomber pilot in World War II, is reported missing, presumed dead, but reappears at the end of the war having spent two years as a POW in Germany.  This is the story of Teddy’s war and his life after coming home, from his time as a young husband and father to his days as an elderly grandfather.  Teddy is particularly challenged by his unappreciative and angry daughter Viola who supplies much of the humor in the book.

 

Quotes

“Was I really such a terrible mother?’ she asked Bertie. ‘Why the past tense?’ Bertie said.”

 

“She had never been without a book for as long as she could remember.  An only child never is.”

 

“The whole edifice of civilization turned out to be constructed from an unstable mix of quicksand and imagination.”

 

“Moments left, Teddy thought.  A handful of heartbeats. That was what life was.  A heartbeat followed by a heartbeat.  A breath followed by a breath.  One moment followed by another moment and then there was a last moment.”

 

“The purpose of Art,” his mother, Sylvie, said—instructed even—“is to convey the truth of a thing, not to be the truth itself.”

 

“As you got older and time went on, you realized that the distinction between truth and fiction didn’t really matter because eventually everything disappeared into the soupy, amnesiac mess of history. Personal or political, it made no difference.”

 

“He was a baby once, she thought. New and perfect, cradled in his mother’s arms.  The mysterious Sylvie.  Now he was a feathery husk, ready to blow away.  His eyes were half open, milky, like an old dog, and his mouth had grown beaky with the extremity of age, opening and closing, a fish out of water.  Bertie could feel a continual tremor running through him, an electrical current, the faint buzz of life.  Or death, perhaps. Energy was gathering around him, the air was static with it.”

 

“What a good husband you are”, Nancy said afterward, “always taking your wife’s side rather than your mother’s.” “It’s the side of reason I am on”, Teddy said, “It just so happens that that’s where you’re always to be found and my mother rarely.”

“He didn’t make plans himself any more. There was now and it was followed by another now. If you were lucky.”

 

“Secrets had the power to kill a marriage, she said.  Nonsense, Sylvie said, it was secrets that could save a marriage.”

 

“Best always to praise rather than criticize.”

 

“If he hadn’t been the father of her children, Viola might have admired Dominic for the way he was so easily able to absolve himself of all obligation simply by asserting his right to self-fulfillment.”

 

“The “eat” part was easy.  The praying and loving were harder.”

 

“The more Viola forgot her mother, the more she missed her.”

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1. Life After Life

Rating: ☆☆☆☆

Recommended by:   Tina Hirshland

Author: Kate Atkinson

Genre: Fiction, Historical Fiction, World War II

Info: 560 pages, published March 14, 2013

Format:  Audio Book

Summary 

Every time Ursula Todd dies, she is born again. Each successive life is an iteration on the last, and we see how Ursula’s choices affect her, those around her, and the fate of the 20th-century world.

 

Quotes

“What if we had a chance to do it again and again, until we finally did get it right? Wouldn’t that be wonderful?”

“He was born a politician.  No, Ursula thought, he was born a baby, like everyone else. And this is what he has chosen to become.”

“No point in thinking, you just have to get on with life. We only have one after all, we should try and do our best. We can never get it right, but we must try.”

“Do not tell secrets to those whose faith and silence you have not already tested.”

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