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70. Stories I Tell My Friends

Rating:  ☆☆☆1/2

Recommended by:

Author:   Rob Lowe

Genre:  Non-Fiction, Memoir, Movies

320 pages, published April 26, 2011

Reading Format:  Audio Book


Summary 

Stories I Tell My Friends is Rob Lowe’s memoir in which he tells stories about his fascinating life.  Lowe recounts the pain of his parents’ divorce as a child from the Midwest and tells how his life shifted when his mother moved to a counterculture Malibu of the mid-seventies where his neighbors and friends were Charlie Sheen, Emilio Estevez, and Sean Penn.  After he was cast in Francis Ford Coppola’s The Outsiders, Lowe soon became a teen idol and a member of the Brat Pack.  Lowe went on to a movie career with lots of ups and downs, moving to television when was cast as speechwriter Sam Seaborn in the iconic series The West Wing.

Quotes

“So I came to the realization: Nothing in life is unfair. It’s just life.”

 

“Fake confidence on the outside often trumps truthful turmoil on the inside.”

 

“The best part is not the biggest, it’s the one that’s most memorable.”

 

“They don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation. The sad truth about divorce is that it’s hard to teach your kids about life unless you are living life with them: eating together, doing homework, watching Little League, driving them around endlessly, being bored with nothing to do, letting them listen while you do business, while you negotiate love and the frustrations and complications and rewards of living day in and out with your wife. Through this, they see how adults handle responsibility, honesty, commitment, jealousy, anger, professional pressures, and social interactions. Kids learn from whoever is around them the most.”

 

“I’m thinking of how unexpected and yet oddly preordained life can be. Events are upon you in an instant, unforseen and without warning, and often times marked with disappointment and tragedy, but equally often leading to a better understanding of the bittersweet truth of life.”

 

“To be counter to the culture, you are by definition willfully and actively ignoring the culture, i.e., reality. And when you ignore reality for too long, you begin to feel immune to, or above, the gravitational pull that binds everyone else. You are courting disaster.”

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66. About Alice

Rating:  ☆☆☆

Recommended by:

Author:   Calvin Trillin

Genre:  Non-Fiction, Memoir

96 pages, published December 26, 2006

Reading Format:  Audio Book


Summary 

In this very short memoir about his late wife, Calvin Trillin paints a moving portrait of Alice.  She was the wife who had “a weird predilection for limiting our family to three meals a day” and the mother who thought that if you didn’t go to every performance of your child’s school play, “the county would come and take the child.” Trillin tells stories of Alice as an educator who was equally at home teaching at a university or a drug treatment center, a gifted writer, a stunningly beautiful and thoroughly engaged woman who, in the words of a friend, “managed to navigate the tricky waters between living a life you could be proud of and still delighting in the many things there are to take pleasure in.”  Trillin deeply loved his wife and never quit trying to impress her.  The dedication of the first book he published after her death read, “I wrote this for Alice.  Actually, I wrote everything for Alice.”

Quotes

“Your children are either the center of your life or they’re not, and the rest is commentary.”

 

“School plays were invented partly to give parents and easy opportunity to demonstrate their priorities.”

 

“Among married couples the person who actually makes out the mortgage check is likely to be more cautious about spending money than the person who doesn’t. There is something sobering about sending away that much money every month in the knowledge that, rain or shine, you’ll have to come up with the same amount of money the next month and the month after that.”

 

“For Alice, of course, the measure of how you held up in the face of a life-threatening illness was not how much you changed but how much you stayed the same, in control of your own identity.”

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52. When Breath Becomes Air

Rating:  ☆☆☆☆☆

Recommended by:

Author:   Paul Kalanithi

Genre:  Non Fiction, Memoir

208 pages, published January 19, 2016

Reading Format:  Audio Book


Summary 

At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer.  One day he was a doctor making a living treating the dying, and the next he was a patient struggling to live.  Overnight, his imagined future was gone.  When Breath Becomes Air, which includes a Foreword by Dr. Abraham Verghese and an Epilogue by Kalanithi’s wife Lucy, tells the story of  Kalanithi’s transformation from a naïve medical student into a young neurosurgeon at Stanford, guiding patients toward a deeper understanding of death and illness, and finally into a patient and a new father to a baby girl, confronting his own mortality.  Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all.

 

Quotes

“I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything.”

 

“Will having a newborn distract from the time we have together?” she asked. “Don’t you think saying goodbye to your child will make your death more painful?”  “Wouldn’t it be great if it did?” I said. Lucy and I both felt that life wasn’t about avoiding suffering.”

 

“Seven words from Samuel Beckett began to repeat in my head:  ‘I can’t go on. I’ll go on.’”

 

“Years ago, it had occurred to me that Darwin and Nietzsche agreed on one thing: the defining characteristic of the organism is striving.”

 

“Yet the paradox is that scientific methodology is the product of human hands and thus cannot reach some permanent truth. We build scientific theories to organize and manipulate the world, to reduce phenomena into manageable units. Science is based on reproducibility and manufactured objectivity. As strong as that makes its ability to generate claims about matter and energy, it also makes scientific knowledge inapplicable to the existential, visceral nature of human life, which is unique and subjective and unpredictable. Science may provide the most useful way to organize empirical, reproducible data, but its power to do so is predicated on its inability to grasp the most central aspects of human life: hope, fear, love, hate, beauty, envy, honor, weakness, striving, suffering, virtue.”

 

“Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete.”

 

“Grand illnesses are supposed to be life-clarifying. Instead, I knew I was going to die—but I’d known that before. My state of knowledge was the same, but my ability to make lunch plans had been shot to hell. The way forward would seem obvious, if only I knew how many months or years I had left. Tell me three months, I’d spend time with family. Tell me one year, I’d write a book. Give me ten years, I’d get back to treating diseases. The truth that you live one day at a time didn’t help: What was I supposed to do with that day?”

 

“Everyone succumbs to finitude. I suspect I am not the only one who reaches this pluperfect state. Most ambitions are either achieved or abandoned; either way, they belong to the past. The future, instead of the ladder toward the goals of life, flattens out into a perpetual present. Money, status, all the vanities the preacher of Ecclesiastes described, hold so little interest: a chasing after wind, indeed.”

 

“The main message of Jesus, I believed, is that mercy trumps justice every time.”

 

“The physician’s duty is not to stave off death or return patients to their old lives, but to take into our arms a patient and family whose lives have disintegrated and work until they can stand back up and face, and make sense of, their own existence.”

 

“Don’t think I ever spent a minute of any day wondering why I did this work, or whether it was worth it.  The call to protect life—and not merely life but another’s identity; it is perhaps not too much to say another’s soul—was obvious in its sacredness.  Before operating on a patient’s brain, I realized, I must first understand his mind: his identity, his values, what makes his life worth living, and what devastation makes it reasonable to let that life end.  The cost of my dedication to succeed was high, and the ineluctable failures brought me nearly unbearable guilt.  Those burdens are what make medicine holy and wholly impossible: in taking up another’s cross, one must sometimes get crushed by the weight.”

 

“The tricky part of illness is that, as you go through it, your values are constantly changing. You try to figure out what matters to you, and then you keep figuring it out. It felt like someone had taken away my credit card and I was having to learn how to budget. You may decide you want to spend your time working as a neurosurgeon, but two months later, you may feel differently. Two months after that, you may want to learn to play the saxophone or devote yourself to the church. Death may be a one-time event, but living with terminal illness is a process.”

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51. The Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person

Rating:  ☆☆☆1/2

Recommended by:

Author:   Shonda Rhimes

Genre:  Non-Fiction, Memoir, Self-Improvement

336 pages, published November 10, 2015

Reading Format:  Audio Book


Summary 

On Thanksgiving Day, 2013, Shonda Rhymes, the uber-talented and successful creator of Grey’s Anatomy, Scandal, How to Get Away With Murder, told her sister about some amazing invitations that she had received.  Her sister’s response, “Who cares?  You’re just going to say no anyway.  You never say yes to anything,” touched a nerve in Shonda and forced her to re-examine her approach to life.  She then decided to start saying yes, even when it scared her and took her far outside of her comfort zone.  The results were incredible.  She shared a box at the Kennedy Center with President Obama and the First Lady, posed for magazine covers, gave a commencement speech at her alma matter Dartmouth College, stopped everything when her children wanted to play, and most impressively, lost over 120 pounds.

 

Quotes

“Lucky implies I didn’t do anything. Lucky implies something was given to me. Lucky implies that I was handed something I did not earn, that I did not work hard for. Gentle reader, may you never be lucky. I am not lucky. You know what I am?  I am smart, I am talented, I take advantage of the opportunities that come my way and I work really, really hard.  Don’t call me lucky.  Call me a badass.”

 

“Losing yourself does not happen all at once.  Losing yourself happens one no at a time.”

 

“You can quit a job. I can’t quit being a mother. I’m a mother forever.  Mothers are never off the clock, mothers are never on vacation. Being a mother redefines us, reinvents us, destroys and rebuilds us. Being a mother brings us face-to-face with ourselves as children, with our mothers as human beings, with our darkest fears of who we really are.  Being a mother requires us to get it together or risk messing up another person forever.  Being a mother yanks our hearts out of our bodies and attaches them to our tiny humans and sends them out into the world, forever hostages.”

 

“You know what happens when all of your dreams come true? Nothing. I realized a very simple truth: that success, fame, having all my dreams come true would not fix or improve me, it wasn’t an instant potion for personal growth.”

 

“You just have to keep moving forward. You just have to keep doing something, seizing the next opportunity, staying open to trying something new. It doesn’t have to fit your vision of the perfect job or the perfect life. Perfect is boring, and dreams are not real. Just . . . DO.”

 

“They tell you:  Follow your dreams. Listen to your spirit. Change the world. Make your mark. Find your inner voice and make it sing. Embrace failure. Dream. Dream and dream big. As a matter of fact, dream and don’t stop dreaming until your dream comes true.  I think that’s crap.  I think a lot of people dream. And while they are busy dreaming, the really happy people, the really successful people, the really interesting, powerful, engaged people?  Are busy doing.”

 

“There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.”

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39. Life from Scratch: A Memoir of Food, Family, and Forgiveness

Rating:  ☆☆☆1/2

Recommended by: Chris Guillebeau

Author: Sasha Martin

Genre:  Non Fiction, Memoir, Food

Info: 352 pages, published March 3, 2015

Format:  Book


Summary 

Life from Scratch is really two stories in one book. The first part of the book is a traditional memoir where Sasha Martin recounts her unconventional and difficult childhood with a free spirit, eccentric mother who had difficulty caring for Sasha and her siblings.  In the second part of the book, over the course of 195 weeks, Martin takes on the challenge of cooking and eating a meal from every country in the world.  She achieves her goal and makes peace with her mother, partially due to a shared love of creative cooking.

 

Quotes

“There are mysteries buried in the recesses of every kitchen — every crumb kicked under the floorboard is a hidden memory.  But some kitchens are made of more.  Some kitchens are everything.”

“Marcel Proust, the 20th Century novelist, knew how easy it is to bring the past to life:  When he bit into a tea-soaked madeleine, the shadows of his childhood took on color, snapping into full dimension.  If I put the right ingredients in my spice jars, I realized, they’d be portals to a bygone era.”

“And perhaps that’s been Mom’s secret all along:  her brutal common sense that slices through any and all notions of what “should” be.  From our living room kitchen back in Jamaica Plain to this global table, it’s been about getting our fill.  Not just of food, but of the intangible things we all need:  acceptance, love and understanding.”

“My first encounter with a baguette, torn still warm from its paper sheathing, shattered and sighed on contact. The sound stopped me in my tracks, the way a crackling branch gives deer pause; that’s what good crust does. Once I began to chew, the flavor unfolded, deep with yeast and salt, the warm humidity of the tender crumb almost breathing against my lips.”

“Happiness is not a destination: Being happy takes constant weeding, a tending of emotions and circumstances as they arise. There’s no happily ever after, or any one person or place that can bring happiness. It takes work to be calm in the midst of turmoil. But releasing the need to control it—well, that’s a start.”

“Once, I thought happiness was the sizzle in the pan. But it’s not. Happiness is the spice—that fragile speck, beholden to the heat, always and forever tempered by our environment.”

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38. Glitter and Glue

Rating:  ☆☆☆1/2

Recommended by: 

Author:  Kelly Corrigan

Genre:  Non Fiction, Memoir

Info:  240 pages, published February 4, 2014

Format:  Book


Summary 

When Kelly Corrigan was a teenager, her mother summarized the family dynamic as “Your father’s the glitter, but I’m the glue.”  This concept was meaningless to Kelly at the time, but took on significance as Kelly grew older and encountered the slings and arrows of life.  Glitter and Glue recounts Corrigan’s post-college adventure working as an au pair in Australia for the Tanner family who had just lost their wife and mother. While navigating the family dynamics, Kelly started hearing her mother’s voice everywhere.  During the time she spent with the Tanner kids she started reconsidering her relationship with her mother.

 

Quotes

“When I was growing up, my mom was guided by the strong belief that to befriend me was to deny me the one thing a kid really needed to survive childhood:  a mother.”

“I want her to know that I’ll take care of her, even when it’s not pretty or easy or cheap.  Of course I will.  The mother is the most essential piece on the board, the one you must protect.  Only she has the range.  Only she can move in multiple directions.  Once she’s gone, it’s a whole different game.”  

“I had thought a good mother would not elicit such comments, but now I see that a good mother is required to somehow absorb all this ugliness and find a way to fall back in love with her child the next day.”

“The only mothers who never embarrass, harass, dismiss, discount, deceive, distort, neglect, baffle, appall, inhibit, incite, insult, or age poorly are dead mothers, perfectly contained in photographs, pressed into two dimensions like a golden autumn leaf.”

“But now I see there’s no such thing as “a” woman, “one” woman. There are dozens inside every one of them. I probably should have figured this out sooner, but what child can see the women inside her mom, what with all the Motherness blocking out everything else?”

“It’s easy to love kids who make you feel competent.”

“And it occurs to me that maybe the reason my mother was so exhausted all the time wasn’t because she was doing so much but because she was feeling so much.”

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36. Going Solo

Rating:  ☆☆☆

Recommended by:   

Author:  Roald Dahl

Genre:  Non-Fiction, Memoir, Humor

Info:  209 pages, published 1986

Format:  Book


Summary 

Going Solo is the autobiographical sequel of Boy, which is written by the world-famous author Roald Dahl (author of many famous children’s books including personal favorites Charlie and the Chocolate Factory, James and the Giant Peach and Fantastic Mr. Fox).  It is about his life as a worker with the Shell Company in Africa and an RAF fighter pilot during World War II.  Dahl hilariously recounts stories from his adventurous life as a young man, out on his own and ready to conquer the world.

Quotes

“A life is made up of a great number of small incidents and a small number of great ones.”

“What a fortunate fellow I am, I kept telling myself. Nobody has ever had such a lovely time as this!”

“I was already beginning to realize that the only way to conduct oneself in a situation where bombs rained down and bullets whizzed past, was to accept the dangers and all the consequences as calmly as possible.  Fretting and sweating about it all was not going to help.”

“Mary Welland was certainly lovely. She was gentle and kind. She remained my friend all the time I was in hospital. But there is a world of difference falling in love with a voice and remaining in love with a person you can see. From the moment I opened my eyes, Mary became a human instead of a dream and my passion evaporated.”

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35. The Year of Magical Thinking

Rating:  ☆☆☆1/2

Recommended by:  N/A

Author:  Joan Didion

Genre:  Non-Fiction, Memoir

Info:  227 pages, published February 13, 2007

Format:  Book

Summary 

In The Year of Magical Thinking, Joan Didion, one of the country’s most famous writers, explores the grief she suffered as the result of the death of her husband John Dunne and the life threatening illness of their only child, Quintana.  Didion creates a portrait of loss by her portrayal of married and family life.

Quotes

 “We were not having any fun, he had recently begun pointing out. I would take exception (didn’t we do this, didn’t we do that) but I had also known what he meant. He meant doing things not because we were expected to do them or had always done them or should do them but because we wanted to do them. He meant wanting. He meant living.”

“I could not count the times during the average day when something would come up that I needed to tell him. This impulse did not end with his death. What ended was the possibility of response.”

“I did not always think he was right nor did he always think I was right but we were each the person the other trusted.”

“I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”

“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”

“In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”

“People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness. It is the look of someone who walks from the ophthalmologist’s office into the bright daylight with dilated eyes, or of someone who wears glasses and is suddenly made to take them off. These people who have lost someone look naked because they think themselves invisible. I myself felt invisible for a period of time, incorporeal. I seemed to have crossed one of those legendary rivers that divide the living from the dead, entered a place in which I could be seen only by those who were themselves recently bereaved.”

“We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves.  As we were.  As we are no longer.  As we will one day not be at all.”

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27. The Diving Bell and the Butterfly

Rating:  ☆☆☆

Recommended by:   Andrea Banks

Author:  Jean-Dominique Bauby

Genre:  Non-Fiction, Memoir

Info:  132 pages, published June 23, 1998

Format:  Book

 

Summary 

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young childen, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life.  By the end of the year he was also the victim of a rare kind of stroke to the brainstem which left in him in a state of locked in syndrome.  Only his left eye functioned, allowing him to see and, by blinking it, to communicate with the outside world.  Amazingly, he dictated his Memoir, a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again.  In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves.  Fed only intravenously, he imagines preparing and tasting the full flavor of his favorite foods.  Again and again he returns to an “inexhaustible reservoir of sensations,” keeping in touch with himself and the life around him.  Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

Quotes

“But I see in the clothes a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.”

“The memory of that event has only just come back to me, now doubly painful: regret for a vanished past and, above all, remorse for lost opportunities. Mithra-Grandchamp is the women we were unable to love, the chances we failed to seize, the moments of happiness we allowed to drift away. Today it seems to me that my whole life was nothing but a string of those small near misses: a race whose result we know beforehand but in which we fail to bet on the winner.”

“I need to feel strongly, to love and admire, just as desperately as I need to breathe.”

“Once, I was a master at recycling leftovers. Now I cultivate the art of simmering memories.”

“I am fading away. Slowly but surely. Like the sailor who watches his home shore gradually disappear, I watch my past recede. My old life still burns within me, but more and more of it is reduced to the ashes of memory.”

“Want to play hangman? asks Theophile, and I ache to tell him that I have enough on my plate playing quadriplegic.”

“Whereupon a strange euphoria came over me. Not only was I exiled, paralyzed, mute, half deaf, deprived of all pleasures, and reduced to the existence of a jellyfish, but I was also horrible to behold. There comes a time when the heaping up of calamities brings on uncontrollable nervous laughter – when, after a final blow from fate, we decide to treat it all as a joke.”

“But I see in the clothes a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.”

“I am fading away. Slowly but surely. Like the sailor who watches the home shore gradually disappear, I watch my past recede.  My old life still burns within me, but more and more of it is reduced to the ashes of memory.”

“I hoard all these letters like treasure.  One day I hope to fasten them end to end in a half mile streamer, to float in the wind like a banner raised to the glory of friendship.  It will keep the vultures at bay?

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21.  Why Not Me

Rating:  ☆☆☆☆

Recommended by:   

Author:  Mindy Kaling

Genre:  Non-Fiction, Memoir, Humor

Info:  240 pages, published September 15, 2015

Reading Format:  Audiobook


Summary 

In Why Not Me?, Kaling, writer and actor on “The Office” and “The Mindy Project,” shares a series of essays that provide hilarious details from her personal and professional life, from new friendships to beauty tips.  A follow up to her earlier Is Everyone Hanging Out Without Me?, which is also very funny and covers her childhood and young adult years, Why Not Me? focuses on Kaling’s Hollywood career and adult personal life. 

 

Quotes

Who is the beauty icon who inspires you most?  Is it Sophia Loren, Audrey Hepburn, Halle Berry?  Mine is Nofestreau because that vampire taught me my number one and number two favorite beauty tricks.  Avoid the sun at all costs and always try to appear shrouded in shadows.”

“People get scared when you try to do something, especially when it looks like you’re succeeding. People do not get scared when you’re failing. It calms them. But when you’re winning, it makes them feel like they’re losing or, worse yet, that maybe they should’ve tried to do something too, but now it’s too late. And since they didn’t, they want to stop you. You can’t let them.”

“the best kind of laughter is laughter born of a shared memory.” 

“People don’t say “Give me your honest opinion” because they want an honest opinion. They say it because it’s rude to say “Please tell me I’m amazing.”

“People talk about confidence without ever bringing up hard work. That’s a mistake. I know I sound like some dour older spinster on Downton Abbey who has never felt a man’s touch and whose heart has turned to stone, but I don’t understand how you could have self-confidence if you don’t do the work… I have never, ever, ever, met a high confident person and successful person who is not what a movie would call a ‘workaholic.’ Because confidence is like respect; you have to earn it.”

“Work hard, know your shit, show your shit, and then feel entitled. Listen to no one except the two smartest and kindest adults you know, and that doesn’t always mean your parents. If you do that, you will be fine.”

“As I got older, I got craftier and less obvious, but I’ve always put a lot of energy and effort into people liking me. That’s why I’ve never understood the compliment “effortless.” People love to say: “She just walked into the party, charming people with her effortless beauty.” I don’t understand that at all. What’s so wrong with effort, anyway? It means you care. What about the girl who “walked into the party, her determination to please apparent on her eager face”? Sure, she might seem a little crazy, and, yes, maybe everything she says sounds like conversation starters she found on a website, but at least she’s trying. Let’s give her a shot!” 

“I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.” 

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